There is a contemplative quality to the images that relate to Gambis' rather introverted demeanor as a photographer, a quiet observer of her environment that feeds off of the deep, saturated hues to impose a point of view. Dark hues are interrupted by a pop of color, which are seemingly muted due to the absence of content and are just as soon un-muted by the density of that which stands in as the subject... Despite the darkness that envelopes these images, ambiguous in nature, there is a sense of immense pleasure experienced by the seeping-through of neons into the foreground..."